In the case of borrowing related terms instead of descendants, the easiest way to borrow an existing duplicate is to borrow: two contemporary twin terms can be borrowed. Different literary and familiar readings of certain Chinese characters are common in many Chinese varieties, and differences in reading for certain phonetic characteristics often characterize a dialect group. For a particular Chinese variant, familiar readings usually reflect native folk phonology. Literary readings are used in certain formal contexts (recitation, certain aliases and names) and come from other varieties, usually more prestigious. Sometimes literary and familiar readings of the same character have different meanings. For example, the character 平 in Cantonese can have the colloquial pronunciation /phɛŋ˨˩/ („cheap”) and the literary pronunciation /phɪŋ˨˩/ („flat”). In etymology, two or more words in the same language are called etymological duplicates or twins (or possibly triplets and so on) if they have different phonological forms but the same etymological root. Often, but not always, words entered the language in different ways. Since the kinship between words that have the same root and meaning is quite obvious, the term is mainly used to characterize pairs of words that differ at least slightly in meaning.[1] For example, Pyres and English fires are duplicates with simply related meanings, although both ultimately derive from the same Proto-Indo-European (PIE) word *peh₂your.
In addition to the native duplicates, Welsh has borrowed heavily over the centuries, especially from Latin and English. This led to many more duplicates in the language, including many of Latin, which entered Welsh via English borrowings. Examples:[11] During the Tudor period, fashionable duplicates remained tight with bumpy sleeves and elaborate surface decorations such as pink (patterns of small cuts in the fabric), cuts, embroidery, and applied braiding. The men`s doublet was worn over a shirt, and it was sometimes sleeveless or had tight or removable sleeves. It was either made of wool or kersey, a coarse canvas mixed with wool. [4] Until 1540, duplicates had laces with which the pipe could be attached to them. [4] Philip Sidney, an English poet and diplomat, wears a duplicate. Welsh contains many duplicates of indigenous origin, with a single Indo-European root having developed on different paths in the language. Examples:[11] The French word doublet comes from duble, „double or double”. The original doublets were only the lining (or „doubling”) of another garment, often a hood or chain mail, and were intended to prevent the rigid material from rubbing or rubbing the skin. The doublet has evolved into an autonomous wearer, adapted to the body and sometimes padded to give the wearer a „fashionable” shape.
Duplicates can develop in different ways, depending on the path that both forms have taken from their origin to their current form. Complex paths at several levels are possible, although in many cases groups of terms follow the same path. Simple paths are discussed below, the simplest difference being that duplicates in a particular language can have their root in the same language (or an ancestor) or come from a separate language. During the 300 years of its use, the duplicate served the same purpose: to give the body a fashionable shape and padding, to support the pipe by attaching and to give warmth to the body. The only thing that has changed about the duplicate throughout its history has been its style and cut. The visitor of the game no longer demands what is presented to him of an original passion to be dressed in duplicate and pipe. As in many languages in Europe, the Renaissance and early modern periods, there were many borrowings from written Latin – Latinismos (Latinismos) or cultismos (learned words).[10] Since Spanish itself is a Romance language that already has many native words of Latin origin (transmitted orally, i.e. with natural sound changes)[10], the subsequent written borrowing created a series of duplicates. Added to this was the conquest of Spain by the Moors in the Middle Ages, which led to another vector for the creation of duplicates (from Latin to Arabic via Spanish). In the 17th century, duplicates were shortened. A typical sleeve of the time was full and cut to show the shirt underneath; A later style was full and rotated or cut just below the elbows and tightly underneath. The decorative tips of the ribbon were pulled through the eyelets on the pants and the size of the doublet to hold the pants in place, and were tied in ornate arches.
Edward VI in a late Tudor doublet pink and long and long and neat under a crimson robe with hanging sleeves. The words píosa and cuid (both meaning „part” or „part”) form an Irish duplicate, both from the protocular root *kwesdis. This root was borrowed from Gallic *pettyā, then from late Latin as pettia, an Anglo-Norman coin, then from Middle English pece, before being borrowed as pissa in Middle Irish, which became modern píosa. In Old Irish, *kwesdis became cooked, which is cooked in modern Irish. [7] [8] [9] At the beginning of the Elizabethan period, grandiloquent duplicates were padded to the abdomen in a silhouette of a „pigeon pouter” or „peascod”. Sleeve fasteners on the shoulder were camouflaged by decorative wings, tabs or piccadilles, and peplums or piccadilles in the shape of a short skirt covered the size of the pipe or trousers. The padding gradually went out of fashion and the doublet became tight with a deep V-size. Duplicates from the 14th and 15th centuries were usually up to the waist, sometimes shorter, worn on shirt and tube, with a puff or other form of overgarage. Beginning in the late 14th century, duplicates were cut and padded to give the wearer an egg-shaped or dove-breasted silhouette, a fashion that gradually faded away in favor of a flatter natural fit.
In England, at the end of the 15th century, a good duplicate would have lasted at least two years, but many people reported that their duplicates disintegrated after only four months. [4] There are many other duplicates of Greek, one form being a popular loan and the other a scholarly loan, such as scandal and slander, both from σκάνδαλον. The body was also covered with cotton or a leather doublet, on which iron armor was worn. A „proto-eukaryote” that had duplicate histones can be descended from both giant viruses and eukaryotes, transmitting proteins to both lineages of organisms a very long time ago. Another example of almost synonymous duplicates is openness and openness (the common point behind meanings is „opening”). But duplicates can develop divergent meanings, such as the opposite words host and guest, which come from the same PIE word *ghóstis and already existed in duplicate in Latin hospes and then in Old French[3], before being borrowed from English. Duplicates also vary in the distance between their shapes. For example, the connection between the royalty and the dike is easy to guess, while the relationship between sovereign and soprano is harder to guess. Add Doublet to one of your lists below or create a new one.
On his green doublet, he wore a sad nightgown, from the pocket of which his hunting horn glanced. In Hindi and other new Indo-Aryan languages, the members of the native duplicates are identified either as tadbhava („became that”), which is eventually derived from Sanskrit but has changed over time, or as tatsama („the same as that”), borrowed directly from literary Sanskrit. For example, Hindi bāgh „tiger” is derived from the historical stages (tadbhava) of sanskrit vyāghra „tiger”. Meanwhile, Hindi also borrowed directly from the Sanskrit word vyāghra (tatsama), which means „tiger” in a more literary register. The dublette evolved from the padded clothing worn under the armor, such as the Gambeson, similar to the Aketon, and the double armament. [3] These sample sentences are automatically selected from various online information sources to reflect the current use of the word „Doublet”. The opinions expressed in the examples do not represent the opinion of Merriam-Webster or its editors. Send us your feedback.
The waist jacket that European men often wore in the Renaissance is called a doublet. If you go to a Renaissance fair, you will see men wearing duplicates (with capes, tunics, tights and sheaths). The duplicate finally went out of fashion in the middle of the 17th century, when Louis XIV of France and Charles II. From England, he set up a men`s court suit, consisting of a long coat, vest, tie, wig and pants – the ancestor of the modern suit. Originally, it was a simple sewn and quilted lining („lining”) worn under a hood or breastplate to prevent bruising and friction. Duplicates were sometimes opened to the waist in a deep V. The edges can remain free or be laced on the front of the shirt. If there was still room, it could be filled with a stomach. In the 1520s, the edges of the duplicate were more often found in the middle. Then, like many other practical items originally in the history of men`s clothing, it was elaborated from the end of the 15th century to such an extent that it could be seen alone.
He was knocked down because he thought he could have spared himself the trouble of putting on his beautiful yellow duplicate of Paris.